Screen Slate Presents: Psycho-Fiction, The Surreal Nightmares of Screaming Mad George

This year we lost one of the great special effects artists, Screaming Mad George. Once seen, SMG’s work is forever seared in the retina. Taking his name from Screaming Jay Hawkins and MAD Magazine, his creative sensibility is a mashup of the former’s theatrical rock ‘n’ roll histrionics and the latter’s cartoonish satire, heavily infused with the biomorphic distortions of Salvador Dalí. Whether creating a discrete sequence for a blockbuster like the cockroach transformation in A Nightmare on Elm Street 4, or taking center stage in the work of his longtime collaborator Brian Yuzna—especially in their magnum opus Society—Screaming Mad George’s effects represent a singular artistic vision that viewers could always sense, even if they didn’t always know the name behind the nightmares.

Beyond his feature film special effects work, Screaming Mad George’s creative output extended to No Wave, downtown NYC horrorpunk, film directing, sculpture, video games, and work for other musical artists ranging from Slipknot to *NSYNC. For this series, Screen Slate brings together a selection of Screaming Mad George’s iconic feature films and some of our favorite deep cuts, all programmed alongside short films, clip reels, musical performances, rarities, and, of course, oddities. Many of the films will screen in NYC in 35mm for the first time ever, including Yuzna’s personal prints, and several will be accompanied by special guests.

Programmed by Screen Slate’s Jon Dieringer. Flyer by Steak Mtn.

Since 2011, Screen Slate has helped New Yorkers navigate the world’s greatest film scene by publishing the only central listings resource for art houses, repertory theaters, microcinemas, galleries, and art spaces across all five boroughs. Every day we also publish an original article by one of our hundreds of our brilliant contributors. Visit us online and sign up for the daily email at screenslate.com

 

Program:

Society (35mm)– Brian Yuzna, 1989, 99 min.

Freaked (35mm) — Alex Winter, 1993, 86 min.

The Guyver — Screaming Mad George, 1991, 92 min.

A Nightmare on Elm Street 4: The Dream Master (35mm) — Renny Harlin, 1988, 93 min.

Silent Night, Deadly Night 5: The Toy Maker (35mm) — Martin Kitrosser, 1991, 90 min.

Big Trouble in Little China (35mm) — John Carpenter, 1986, 100 min.

Bride of Re-Animator — Brian Yuzna, 1990, 96 min.